Showing posts with label Noa James. Show all posts
Showing posts with label Noa James. Show all posts

Wednesday, June 5, 2019

Tolkienesque Triumphs of Greenery with Noa James & Nuglife



     “I’m drama freeee (yeah)  I’m lovin’ meee (yeah ) / be a queen / BE A KING / SPREAD YOUR WIIINGS”
              
It was a chill mood when I walked into Serious Cartoons Records & Tapes to the smell of tacos and kiefy pre-roll for the Noa James / Nuglife listening party. Lesa J was there as ever being brilliant and facilitating new people meeting. Phantom Thrett had been so kind as to open his doors and cook while everyone soaked in the new album. I’ve only met Nuglife a couple times but he’s a really bright soul and fun to kick it with. It’s wild how Noa is always talking about something substantial with whoever is posted with him on a couch – the more I speak with him and hear his work the more it’s clear to me that this is a man very aware of the preciousness of time.
          Their new album, The Majestic Travels of Orcamane and OGie, is a spiritual sequel to The Adventures of Young Orca, an IE classic that is now unbelievably over a decade old. It fits too – it’s chill, stony, melodic, positive and seeking of common ground between souls and artists. The intro’s synth sirens remind one of whale calls- Nuglife understand the James paradigm. Noa’s voice has been evolving from his grizzly bear growl of his early career to a more zen rap crooner of the 2020s and the album’s intro “Orcamane” is a great example of where his voice stylings are now and how subtle and thorough Nuglife's synergy with him is. Noa listened graciously as I shared my critiques and faves – I loved the Mescal and Cam Archer songs, the harder stuff near the end was less my thing but still really catchy and James is undeniably good at it. Berserk and Juggernaut continue the chronicling of Noa’s ever gradually increasing descent into the world of nerdcore while providing a positive space to crack concrete in. Noa’s ability to toggle between experimentation and musically chill comfort food is priceless and the triumph of control over one's demons and the emanating of positivity and generosity is an epic triumph. I've been listening back to James' older works and on each album he balances the beautiful and the darkness -in this album the heroes have returned to the shire in peace and success. Odyssean even.
                                                      “I just wanna roll up/ just wanna po’ up”

      Nuglife’s beat tape The Beat Dispensary is more of a compilation than a beat tape and it feels like a great immediate follow-up to Majestic Travels  - chill thick beats with lots of So Cal all-stars from the BrickToYaFace and EOTR Networks and beyond. A longer record with lots of Noa throughout, it’s a wonderful stony companion-piece to majestic travels. The Noa pieces are like motivational mantras that reflect the comfortable synergy the two have developed. The theme playing off the “dispensary” setting is fun and funny from the Rasta Doorman intro the songs that continue to play on the concept like “The Love Dispensary”. EOTR members Zzay and Don't Sleep are standouts on a collection of stellar and effective collaborations. When you consider his elegant and lush EP with Zzay in addition to these works it’s wild to think how much this cat Nuglife has done before hitting age 25 – he was one to look out for, now he’s one to listen to. 
Tristan "Tanjint Wiggy" Acker is staff writer for JooseBoxx, a youth hip-hop and poetry tutor, and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com

Tuesday, May 21, 2019

Jooseboxx THOPFest coverage kickoff w/ Tanjint Wiggy


                   Tanjint Wiggy talks about his experiences at THOPFest 2019

         To give context to my THOPfest experience we’ll have to go back to 2014 when I discovered Pppaccee & The Herbalistics’ Inland Empire area Sunny Days & Vibes showcase. 60 East was just one of the many names I had seen big on the flyers. Later that same year when I started writing for Jooseboxx and starting to bug those very names I would see on those flyers for interviews and article write-ups, I noticed 60 East, named for one of the Inland Empire’s most frequently used freeways, was not someone I would just run into in the I.E. the way I would with MC Lyfe, Epyk, Wonders Trillions, Greaseball, Hephty, Calligraphy, Mando the DJ, Os One, Vision and others. I eventually heard word that he was in Europe, touring and grinding. Over time I heard his music and wrote about it here and had tried to keep my ear to the ground for his next moves ever since.


     So I shouldn’t have been surprised when just a few years later his Happiness of Pursuit Festival event was announced with flyers announcing dope hip-hop acts from all over the country playing in the Inland Empire. Fast forward 3 years later and fresh off of losing a second consecutive “Who Got Next?” Showcase626 to P the Emcee and Cam Archer, I see a THOPFest Launch Party competition flyer. I hesitated for a moment, ‘do I want the IE’s dopest + co. to see me lose two contests in a row?’ but ultimately I was hungry for a win so I threw down the bill to enter and was stoked for the chance to finally meet Mr. East in person.  

        The contest was at Firewater Bar in Ontario off of Holt which I was told was where the festival itself would ALSO be. I had to do a double-take – this was a standard sized bar with a big parking lot in Ontario but I was being told they convert the lot into the fest! After I won the contest (peep my Instagram for the highlights) I saw some social media sniping from some cats not from the area who lost the contest saying the festival was a fraud for being at a normal bar but I thought the exact opposite: in the wake of the Vibe in Riverside closing, many have tried especially Lesa J, Noa James (of BTYF), Giliead 7 and Phantom Thrett (of Serious Cartoons), to keep events cracking in the I.E. and 60 East was doing a great good along with his team in trying to make a full on event happen at an easy to access spot in the Inland Empire. To build something like this from the ground-up can be rewarding but also a thankless job along the way and once I grasped what the event really was I was very proud to have just won myself a slot at it.




       So when I pulled up to Holt Street about 61 minutes before my scheduled set time it was packed and the speakers from Firewater Cantina echoed down the boulevard. I walked in and it was already cracking – graffiti artists on multiple walls, hot fry vendors and young Latinas selling tall boys, various stages, Cam Archer and Big Rob running up to me making sure I knew my set-time…  


         The red carpet and press gamut afterwards was fun, the food trucks were legit. I'd walk into the bar itself and see Rawz DJing, or 2mex, Noa James, D'zyl 5k1 and other luminaries holding court, running panels.  It was the best long day of hip-hop I’ve had in forever. Fresh State was there, Showcase626, EOTR Network showed up Mid-day, and everyone was blazin’, drinkin’, grubbin’, socializing. It usually takes several days over several cities to see all those friends so to consolidate all the folks in one place for a day was amazing. EOTR, 18Scales, Nemy, Thascool and Rane Raps were some standout sets from the earlier part of the day. Cam Archer’s freestyles while hosting were dope. Noa James and Cookbook’s banter was hilarious. Vel, Gavlyn and Sa-Roc were probably my favorite sets of the night due to their tight balance of originality and execution. 60 East’s set was fun as hell as he busted out Thai sticks, Self-Provoked and Elzhi. I left before Sick Jacken took the stage (I was there since like noon foos!) but I saw the Griselda crew rock a bit and that was great stuff- they seemed genuinely surprised at how much love and dedicated fandom they had in the I.E. My recap doesn’t do justice as to how massive of a day this was but suffice to say, 60 East has built a young but solid institution with this festival, it was as legit as any event I’ve attended and easier to blaze at than most to boot. I truly look forward to being involved next year. Peep Jooseboxx in the coming weeks as King Dice and the team roll out video interview coverage and more!
Tristan "Tanjint Wiggy" Acker is staff writer for JooseBoxx, a youth hip-hop and poetry tutor, and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com
     

Tuesday, March 19, 2019

After Hours with Calligraphy - Episode 1 w/ Noa James & Lesa J



The homie Callig has some dope ideas in that head of his. Not only is he killing it with his coffee shop called The Reverse Orangutan located at 440 E Rte 66 in the city of Glendora, California but he also started a web series slash late night show! This is what it is according to the folks at Productive Culture and the man himself:

"Calligraphy brings in his first guests Noa James and Lesa J to after hours. Noa and Lesa talk about their personal journey, Noa's health and the health of the hip hop community. Lesa j gives great advice describing things she learned the hard way."


Hosted by - Calligraphy
http://www.instagram.com/calligraphy909
Produced by Productive Culture
http://www.instagram.com/productivecu...
Director of Photography - Duo
http://www.instagram.com/duodidit
Executive Producer - JMKM
http://www.instagram.com/jmkm808

Monday, October 1, 2018

MUSIC MONDAY WITH KID PRESENTABLE, FAIMKILLS, CA$HONLY, NOA JAMES, FREDO, CAM GNARLY, DOPE KID DANNY AND MORE

Earlier this summer we're just getting over Ca$hOnly dropped this new remix revisiting a favorite from the Noa James / Fredo L.I.T. album - even though summer is over I suspect y'all will find a night in the near future this track hits the vibe for.
This past Spring as my unplanned medical sabbatical began, Kid Presentable sent me this chill boom-bap gem produced by Haunted Days; full of sharp words and a matured sadboi darkness- soak in this and puff one if you can catch a moment.
Earlier this year Cam Gnarly hit us with some more posi-waves I couldn't neglect to mention- peep this catchy melodic slapper featuring Aye Brook and produced by Pantsu.



I am still going through Faimkills' discography but this song barsily tells his lifestory and working class aspirations as a teacher in a way more thorough than I've otherwise ever heard him do on a record before. That undersells the visceral bangingness of the song though, peep for yourself and see what's really good. Produced by Dope Kid Danny. 




Tristan "Tanjint Wiggy" Acker is staff writer for JooseBoxx, a youth hip-hop and poetry tutor, and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com

Monday, March 19, 2018

Music Monday with Noa James, Guccidamus, Asend, Calligraphy, OhGoshLeotus, and Notiz Yong



The flip side to the February "Phone Rang" single, an original and sweet mood expressing stoner serenade, spark one to this.
Some crazy new beat sounds from the homie Guccidamus and his collaborator Infinity- take a walk into darkness if you dare.
                                    Chilltastic new instrumental from the I.E. vet Asend!

Speaking of I.E. vets, Calligraphy has always been a distinctive quirky and intellectual voice in the community and I am happy to hear this OhGoshLeotus produced gem of a single recently dropped to add some flavor and rhythm to your winter nights. 


I love the double meaning Notiz employs here as he figuratively journeys his way to fatherhood on the track- peep the blood vessels on this self-produced piece.

Tristan "Tanjint Wiggy" Acker is staff writer for JooseBoxx, a youth hip-hop and poetry tutor, and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com

Monday, February 26, 2018

Music Mondays with Noa James, Aye Brook, Kiddo, Mad Macks, Cam Gnarly, and Daniel Eugene

                                                            The Phone Rang

A lovely, catchy and very well done song from Aye Brook and Noa James dropped on Valentine's Day that does not disappoint!


                                                                     All 4 One
                      Hell will freeze over before the EOTR network runs out of barsy melodic boom-bap to show you- Badson does his fuckin' thang on this brief but stellar EP with Mesoamerica's sweethearts, Mad Macks and Kiddo!


                                                                   Highdrated 

                    A catchy, clever and super vibey single from the King Crilly!
                                              

                                                                California Neglect 

A new album from the So Cal exile! Dope, relatable, funky and smart! Some really personal, fun, and creative music tackling original topics like girls who won't date black guys, being sick of California and more working class reality! Full disclosure: There's a track with yours truly on here, repurposed from my Inland Imperial album with Ras Josh.

Tristan "Tanjint Wiggy" Acker is staff writer for JooseBoxx, a youth hip-hop and poetry tutor, and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com

Wednesday, January 24, 2018

VIDEO ROUND UP WITH 60 EAST, NOA JAMES, CAM-LEE, 6TH ELEMENT, ILL SMITH & MORE!



60 EAST - TOP 10
VIDEO: WACKOE


A debate everyone's had for years, finally in song form. Clever and well-executed.



NOA JAMES - NO GAMES
VIDEO: LESA J

Noa does layered shit with thoughtful writing and this down-to-earth yet kinda trippy video may help you see that...
CAM-LEE - FOR THE GUSTO
VIDEO: SEAN ALEXANDER

Possibly the most low-key member of English Class Project, Cam-Lee is a top-tier MC with delightful voice, flow and bars no question- a damned nice video with a killer beat too.


EMPIRE CYPHER 
VARIOUS ARTISTS
VIDEO: 6th Element

Killer cypher from up and comers in front of and behind the camera! Riverside area!


 ILL SMITH - EMOJI
VIDEO : @DATBOYDATS

A catchy, cool, and cute song that get dirtier by the minute! Mess with this nasty mofo Illy Smith.


Tristan "Tanjint Wiggy" Acker is a staff writer for JooseBoxx, youth hip-hop writing instructor with CHORDS Enrichment Youth program (chordseyp.org) and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com

Sunday, December 31, 2017

RiBs: Reviews In Brief of new albums by Cam Gnarly / Noa James & Calmfixup!





If Peace of Cake found Noa James shedding his growl for a spacy strange proclamation of his love for all life on earh, Gnarly Orca finds him making those ideas sound familiar over incredibly effective and infectious bleeding edge new hip-hop in collaboration with one of the Inland Empire's parallel Buddhas, Cam Gnarly, a favorite of mine from these parts.

The quality of the production of this album can't be overstated, every synth shines, every drum crisp and every melody links flawlessly with Gnarly's clever sung refrains and James' enlightened earnest baritone. Noa sings throughout as well, perhaps most notably on the EP's closer "My Folks" where the duo establish a new shout-out anthem.



Gnarly sounds as confident as ever and at home on spacy smooth stony melodic chillers such as each track here. "Lifting Me Up" has him with his classic cadence and a chorus, like most here, that could double as a mantra of self-improvement and manifesting one's most majestic desires.

Both of these artists have espoused the spirituality of posi-waves for years now. There was never any doubt that their content could mesh well in that way. What is a delightful if not shocking surprise was how perfect the project would be musically as well. The lyrics are original and life-affirming and barsy as they need to be to do the beats justice but are more focused on connecting with earth-beings at their most vulnerable and chillactimous. The mood the album strikes, the tones it hits in its short but substantial 5 tracks, the sincere and musical way in which our stars use their voices to share with you their good news about existence all comes together to make one of the year's most delicious delights and just in time before the year's final quarter is out! Chill to this record, you won't regret it.



The elusive multi-instrumentalist, performer and studio wizard for the West Coast Avengers (my) crew has shocked WCA's followers by dropping a complete hard rock and singer-songwriter guitar song filled album. Calmfix displays a hilarious and self-deprecating awareness in his lyrics, an original but warm and familiar sense of melody, pop sensibility for days and indefatigable rock chops. Every part of this record is by Calmfixup- from every instrument to the vocals to the engineering, mastering and album art. The album has echoes of alt-rock legends like Stone Temple Pilots and Nirvana but there's also a refreshing and clean modernity that makes this album ready made for any mood- like the man himself, the songs traverse trivial topic matter, depressing realities about humanity and lots of thoughtful yet animated navel-gazing observations in between perhaps best summarized by Fix's proclamation, "I calculate every little thing 'cept everything I probly should". Groove to the guitar ballads and rock out to the thrashers, particularly my favorite "Habit". After this air tight debut, Calmfixup shouldn't have to start over again any time soon but when he does, I'll be here for it- you should too!







Tristan "Tanjint Wiggy" Acker is a staff writer for JooseBoxx, youth hip-hop writing instructor with CHORDS Enrichment Youth program (chordseyp.org) and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com

Wednesday, December 27, 2017

4Square: C.J. Simmons, Curtiss King, Noa James, and Ital Santos


This year we wanted to do something different at the end of the year than just more reviews, profiles and video round ups. We wanted to add a little retrospect and creativity to the pieces so we're putting our year end content under the banner of The Wrap Up. To start off 2017's Wrap Up, we bring you the first installment of a series that will explore album covers we like, 4square. We're getting quotes from the artists and the visual artists they teamed up with for their album covers about some of our favorite releases from 2017.
In this series, we're asking musicians and the visual artists that helped them with their album art for quotes and stories about the covers to their records. I'll add a little commentary and perhaps on occasion some additional relevant imagery. We haven't failed to notice that our readership has tripled in the last 2 years and we want to reward y'all for that with some fun content, so thank you for reading as always!

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MUSICIAN: CJ Simmons
ALBUM TITLE: The Transition
ALBUM ART BY: K.I.T.

King Dice Says: CJ Simmons' The Transition is the first major release after rebranding in early 2017. Simmons (formerly Young Jig) visually displays the transition of what can be interpreted as a boy to a man, an artist journey of self-discovery, or even in the grander sense of life as the simple act of being alive can be described as a series of transitions. On the far left we see an unfinished flat sketch on notebook paper; invoking memories of childhood school days. The first image transitions into a visibly taller and now more refined image with more detail and shading, but keep in mind the second image has an important "piece" of the first image stationed right over the heart (please see Young Jig's Open Heart and Black Heart projects for more information). The second image gives way to the most complete of the three figures now complete with color and sporting a more confident pose signifying CJ's newfound comfort in his artistry under the new moniker. Ultimately a sense of growth and evolution are obviously being broadcast through the art with excellent execution.

K.I.T. on the album art for Transition: "For the Transition, the artwork was a far cry from previous work I had done with CJ mainly because the focus was on him instead of the concept of the record at hand. Compared the single artwork for Be Free and Pina Colada, the Transition is an artistic rendition of not a theme, but a quality I had gotten to observe over time. The proudest moment I had taken apart of was Jig's wedding day and I've never seen him more in his element. So as the gradient of drafting increases from college ruled lined paper to a final digital render of the man himself, the middle ground where he made a commitment to the woman he wants to spend eternity with felt like the middle ground with which he will stand upon, regardless of the hardships he'll most certainly encounter in changing his moniker. That cover basically drew itself to be honest haha."


MUSICIAN: Curtiss King
ALBUM TITLE: Summer Salt
ALBUM ART BY: K.I.T.

King Dice Says: Curtiss King remains a powerful force in California's music scene. Anyone who has followed his career can attest to the level of talent on display in each project, from production to the flow to occasionally singing. With that being said, King has publicly announced Summer Salt would be his final foray into releasing projects as a rapper. His most recent album cover shows Curtiss sprinkling what could very well be the Summer Salt itself onto a dish he's preparing very much in the vein of Turkish chef Nusret Gökçe aka #SaltBae. Producer of the project OhGoshLeotus can be seen in the background seemingly looking on in disapproval. This entire scene happening in front of a circus tent, complete with flying trapeze artists, surrounded by a world on fire. It seems King has become a maser of his own destiny and managed to use the same Summer Salt described in the project's opening track as something he can now use to his advantage as opposed to being controlled by its effects. All the while the world is falling apart around him and the only part not burning is literally, and I'm assuming quite figuratively as well, a circus. 

MUSICIAN: Noa James
ALBUM TITLE: Peace of Cake
ALBUM ART BY: Deladeso

King Dice Says: Noa James' Peace of Cake is, in my humble opinion, a project responsible for giving us many of the Inland Empire's underground POSI anthems for 2017. You're taking the aggressive style Noa James is widely known for, motivational messages, super dope beats (see Orca de Tres Leche, and Serman Chocolate Cake). and mixing it all up. The cover we get for this project is a zombified Noa James who seems to have turned into a cake and is giving us, the listener, a piece of him. We are getting a piece of his "brain" as he shares his thoughts, a piece of his eye as he shares his vision, and a there is much more to be given. Simple but compelling. 

MUSICIAN: Ital Santos
ALBUM TITLE: Reflections
ALBUM ART BY: K.I.T.

King Dice Says: Ital Santos' Reflections' is the only instrumental album to make my list for this article. The cover has striking imagery that I instantly connected to. Growing up Catholic in Southern California, I couldn't help but instantly see the resemblance to the painting "Virgen de Guadalupe". Maybe its the pose, maybe its the rays of light emanating from behind Ital's head, whatever it is... it is captivating. When coupled with the project's title Reflections The sense of being God or in control of one's fate is apparent. Ital has a sort of tradition of religious iconography and imagery being present in his work (see the cover of his Sermones project), Reflections continues in that tradition. I've always viewed the image of rays coming from behind a person's head in illustrations as meaning having a message from God and maybe Ital shares that sentiment with this project as it's content being a divine message to be shared with the world.  

Ital Santos on the album art for Reflections
I finished the album first... I sent [iNanz] a picture of me and the album. told her to do what she do

inane about Reflections: Ray Ban eye wear was the fun part. It evolved from there. The vibe. I noticed his eyes are something he hides.

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Follow King Dice on his dope ass social media pages at @KingDiceSays on everything.

Wednesday, October 18, 2017

WIGGY WEDNESDAYS: New Releases with Noa James, Kiddo, Ital Santos, CJ $immon$ & Altered Change

This week a lot of new videos, songs and albums came out so we had to share a few of them with our fine readers, check it:

NOA JAMES produced by ELIAS & AYE BROOK- KEEP THAT SHITTY ENERGY TO YOURSELF 

Noa James' new single is an aggressive banger that shows the flip side to the philosophy he's been espousing on records like his latest E.P. "Peace of Cake". Over a face-stompingly hard beat, Noa implores his listeners to only come with that pleasantness, ya dig? "Be Majestic" magazine coming soon, stay tuned to all things BTYF for the latest!



KIDDO - PENDULUM (Official Music Video)

VIDEO by MIGHTY MUDS ONE

Muds changes it up for a stylish L.A. visual to accompany the bonus track from Kiddo's debut album. The chorus here is undefeated as EOTR's march to L.A. supremacy continues! Peep it!

REAL JOY - ITAL SANTOS
VIDEO BY ITAL SANTOS & GEORGE BURNS

Ital Santos' new single, video and album dropped this week so peep part 1 of a day in the life of the artist formerly known as Jynxx! This chapter depicts a father and daughter adventure that should warm any hip-hop head's heart!


From the new album, Reflections



THE TRANSITION by CJ $IMMON$

The artist formerly known as Jig is back with a message about being free while you are on earth! Armed with wisdom and airtight flow, his new album just dropped so be sure to hear his new jams!


YA MAMMA'S FAVORITE by ALTERED CHANGE

A gritty yet silly LA area hip-hop duo, Altered Change are thinkers who don't take themselves too seriously. Peep their new record and find out why they are ya mamma's new favorite!

Tristan "Tanjint Wiggy" Acker is a staff writer for JooseBoxx, youth hip-hop writing instructor with CHORDS Enrichment Youth program (chordseyp.org) and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com



Wednesday, August 9, 2017

My Region: Inland Empire Music Mixtape by Ital Santos featuring you, probably

No new review or video round-up this week, a lot going on BUT check out this recent iTunes mixtape by Inland Empire staple, Ital Santos featuring Trizz, Cam Archer, King Dice, Slick C, Kidd Dryden, Kordisepz + me, Curtiss King, Noa James, Ireplenish, CJ Simmons, Cam Gnarly, Yung Miss, Young Sincere, Dzyl5k1, Santos himself and more!

Back next week, but in the meantime while you're on iTunes, peep my new single (shameless, I know) !

Tristan "Tanjint Wiggy" Acker is a staff writer for JooseBoxx, youth hip-hop writing instructor with CHORDS Enrichment Youth program (chordseyp.org) and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com.

Wednesday, July 26, 2017

It Was The Realest Shit He Ever Wrote: Review of Ital Santos' Decem

Ital Santos, the artist formerly known as Jynxx, recently released a well-curated collection spanning the first ten years of his career called Decem. Meditating on it a few times over a few months makes me think deeper on his double album The Transition. I always thought of the title as referring to the time in his life and his mindstate while creating the album but now I realize much of his career reflects the transition that West Coast Rap itself was going through in the first decades of the twenty-first century.

The music community in Cali was going through a Transition that Ital correctly identified- transitioning away from the dominance the 90’s held, transitioning out of losing 2pac and more broadly, moving beyond the Gangsta Rap narrative that had been dominant up through the late 90’s and the end of the century. Ital never lost sight of the idea that older cats go through these things for the benefit of the youth, so that they don’t have to.

You can hear the cultural Transition throughout Decem. The older tracks bristling with a little more trigger-happiness and aggressive masculinity. Their pre-track shout outs sound Death Row-style and Yasin, a frequent Santos collaborator on the earlier works, throws down hard bars over powerful and grimy boom-bap. The later tracks are more chill and even stoner-hippie in their wizened observations and wisdom. Noted posi-gawds like Noa James show their earlier more gangster side on older tracks from the collection too: again, the Jynxx / Ital Santos Transition reflects the larger cultural shift, here is a musician who has been here for all that. Songs in between like an addictive R & B number, "Black Brown Soul Revue" sung amazingly by CornBreeze near the end help show Ital’s diversity and vision.

The record's given me a new appreciation for how Ital develops choruses- 'Realest shit', 'Crisis', 'All for the money', 'Rain Check' and plenty more show his understanding of the interplay of the sung soul sample and the rapped refrain but more importantly they are catchy and give his music an enjoyable momentum.  More recent tracks include standout performances from Slick C, D'zyl 5k1 and of course a frequent Ital collaborator Mando the DJ on the cut.

Santos shows us his part in local lexicon development with tracks like “the 9”, and the collection’s standout almost-closer “The Realest Shit I Ever Wrote” on which he says "I got friends but sometimes I feel alone." The whole song is a bluesy soul slapper which encapsulates, I think, Ital's desire to shed light on the struggle of people in the I.E. This record commemorates a decade of him doing exactly that, through different collaborators, different eras and personas of the self, just trying to give the I.E. the kind of musical shading and texture so many other hard-up communities have had in the past. He's been busy in this last decade and I look forward to what he produces in his next.

Tristan "Tanjint Wiggy" Acker is a staff writer for JooseBoxx, youth hip-hop writing instructor with CHORDS Enrichment Youth program (chordseyp.org) and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com.

Wednesday, June 14, 2017

A Feast of Friends: review of Noa James’ Peace of Cake EP







As critical fans of popular music, we get annoyed when artists who’ve covered a lot of ground don’t find new ground to cover. Noa James does not disappoint with his latest project, the Peace of Cake EP. His embrace of his own weirdness is as charming as it’s ever been as the Orca’s evolution continues to unfold before our very eyes. With each album, Noa sheds a bit of the growl that marks his earlier works. It’s a bold move, one that comes from love and confidence growing.

This and Mescal’s new Weird Turn Pro are the most atmospherically consistent albums I’ve heard this year, both albums emanating a chill knowing from song to song. I admire that Noa James goes out on a limb with his own brand of posi-waves, influenced by but on different wavelength than fellow I.E. contemporary Cam Gnarly.

Each song is a recipe for a different kind of cake with ingredients like self-love, confidence, and other positive abstract concepts. It doesn’t sound like any other album I’ve ever heard, the closest cousin to such a concept in music that I’m familiar with would be found in rock albums by bands like The Fiery Furnaces and Tool. The Cam Gnarly song on the record has a different slower almost darker feel and shows growth and diversity from each of them. The Faimkills collab “Better than hate cake” might be my favorite Faimie song, undulating between experiment and familiar modern hip-hop song. The last song on the album, “Cake Buffet” is the barsiest I.E.-est song I’ve heard from James or anyone in a while and again- feels boom-bappy but new and experimental at the same time.



Producers like Ca$h Only of New Culture Media Group, Aye Brook and more contributed to this album’s trippy banquet of bangers. Kudos to a successful artist not just sticking to their comfort zone, to pushing their own envelope and backing up their ideals with their music. I say this because in person for the last couple years Noa James has often talked about the ideas he is putting to work here in the Peace of Cake EP and the follow-through is refreshing. The ideals give him a message of love worth sharing and the chill production and sense of music make it all work. The artistic pay-off and uniqueness of this project has me quite curious as to what he’ll be talking about on later projects and what stage of butterfly metamorphosis we’ll find the Young Orca in next.


Tristan "Tanjint Wiggy" Acker is a staff writer for JooseBoxx, youth hip-hop writing instructor with CHORDS Enrichment Youth program (chordseyp.org) and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com.