Showing posts with label mc prototype. Show all posts
Showing posts with label mc prototype. Show all posts

Tuesday, May 21, 2019

Jooseboxx THOPFest coverage kickoff w/ Tanjint Wiggy


                   Tanjint Wiggy talks about his experiences at THOPFest 2019

         To give context to my THOPfest experience we’ll have to go back to 2014 when I discovered Pppaccee & The Herbalistics’ Inland Empire area Sunny Days & Vibes showcase. 60 East was just one of the many names I had seen big on the flyers. Later that same year when I started writing for Jooseboxx and starting to bug those very names I would see on those flyers for interviews and article write-ups, I noticed 60 East, named for one of the Inland Empire’s most frequently used freeways, was not someone I would just run into in the I.E. the way I would with MC Lyfe, Epyk, Wonders Trillions, Greaseball, Hephty, Calligraphy, Mando the DJ, Os One, Vision and others. I eventually heard word that he was in Europe, touring and grinding. Over time I heard his music and wrote about it here and had tried to keep my ear to the ground for his next moves ever since.


     So I shouldn’t have been surprised when just a few years later his Happiness of Pursuit Festival event was announced with flyers announcing dope hip-hop acts from all over the country playing in the Inland Empire. Fast forward 3 years later and fresh off of losing a second consecutive “Who Got Next?” Showcase626 to P the Emcee and Cam Archer, I see a THOPFest Launch Party competition flyer. I hesitated for a moment, ‘do I want the IE’s dopest + co. to see me lose two contests in a row?’ but ultimately I was hungry for a win so I threw down the bill to enter and was stoked for the chance to finally meet Mr. East in person.  

        The contest was at Firewater Bar in Ontario off of Holt which I was told was where the festival itself would ALSO be. I had to do a double-take – this was a standard sized bar with a big parking lot in Ontario but I was being told they convert the lot into the fest! After I won the contest (peep my Instagram for the highlights) I saw some social media sniping from some cats not from the area who lost the contest saying the festival was a fraud for being at a normal bar but I thought the exact opposite: in the wake of the Vibe in Riverside closing, many have tried especially Lesa J, Noa James (of BTYF), Giliead 7 and Phantom Thrett (of Serious Cartoons), to keep events cracking in the I.E. and 60 East was doing a great good along with his team in trying to make a full on event happen at an easy to access spot in the Inland Empire. To build something like this from the ground-up can be rewarding but also a thankless job along the way and once I grasped what the event really was I was very proud to have just won myself a slot at it.




       So when I pulled up to Holt Street about 61 minutes before my scheduled set time it was packed and the speakers from Firewater Cantina echoed down the boulevard. I walked in and it was already cracking – graffiti artists on multiple walls, hot fry vendors and young Latinas selling tall boys, various stages, Cam Archer and Big Rob running up to me making sure I knew my set-time…  


         The red carpet and press gamut afterwards was fun, the food trucks were legit. I'd walk into the bar itself and see Rawz DJing, or 2mex, Noa James, D'zyl 5k1 and other luminaries holding court, running panels.  It was the best long day of hip-hop I’ve had in forever. Fresh State was there, Showcase626, EOTR Network showed up Mid-day, and everyone was blazin’, drinkin’, grubbin’, socializing. It usually takes several days over several cities to see all those friends so to consolidate all the folks in one place for a day was amazing. EOTR, 18Scales, Nemy, Thascool and Rane Raps were some standout sets from the earlier part of the day. Cam Archer’s freestyles while hosting were dope. Noa James and Cookbook’s banter was hilarious. Vel, Gavlyn and Sa-Roc were probably my favorite sets of the night due to their tight balance of originality and execution. 60 East’s set was fun as hell as he busted out Thai sticks, Self-Provoked and Elzhi. I left before Sick Jacken took the stage (I was there since like noon foos!) but I saw the Griselda crew rock a bit and that was great stuff- they seemed genuinely surprised at how much love and dedicated fandom they had in the I.E. My recap doesn’t do justice as to how massive of a day this was but suffice to say, 60 East has built a young but solid institution with this festival, it was as legit as any event I’ve attended and easier to blaze at than most to boot. I truly look forward to being involved next year. Peep Jooseboxx in the coming weeks as King Dice and the team roll out video interview coverage and more!
Tristan "Tanjint Wiggy" Acker is staff writer for JooseBoxx, a youth hip-hop and poetry tutor, and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com
     

Wednesday, November 23, 2016

Turning New Leifs with Ital Santos, the Artist Formerly Known As Jynxx




        I wasn’t sure what to think was going to happen when OsOne of the G.I.A.N.T.S. Music, Grizzly State and S.A.D.C. collective asked me to come pick him up, puff one and talk music. He had been ribbing me for a week or two over my unexpected entry into Abstract Rude’s Sixteen Bar Rap Competition which he was personally asked by Mr.Rude AKA Abbey Rizzle to participate in and “Os” -as we more commonly refer to him- being a massive man, a big intimidating presence, I had just the slightest suspicion that one false move could get my ass kicked by some Grizzlies. As I pulled up to his pad in Moreno Valley area, he finished off a cigarette and introduced me to his girlfriend. It occurred to me to calm down because everyone here was a self-respecting adult.

He got in the car and suggested we grab Swift Dixshun in Riverside and being a fan of the G.I.A.N.T.S. (and their bomb-ass weed), I was down. Once in my car, Os directed me to a familiar neighborhood in Fontana off of the 210 where the beatmaker and performer formerly known as Jynxx resided. We walked in with a twelver of Heinekens and settled into some chairs at his music desktop station near a backdoor we could blow blunt smoke out of.

Being in a crew that has many beatmakers in it myself, much of what the quiet, green-eyed Mr. Santos had going on was familiar to me: an inexhaustible collection of beats that only he knew the ages and origins of, rappers with blunts and brews sliding through hoping to be part of the magic of banger-creation, a quiet demeanor and an active mind. He slid through diverse productions with confidence, scrolling down his studio computer screen as Os and Swift freestyled and came up with hooks on the downbeats,

“Y’all ain’t ready….y’all ain’t ready for this real shit,” Os intonated over a particularly swinging and bassy midtempo soundscape. I looked around Ital’s studio walls and saw many familiar names on posters that dated back to 2008: Noa James, MC Mega, Curtiss King, MC Prototype, Urban Poets Crew, Black Cloud, many more. “This is my region’s recent musical history…” I thought as I sat and sipped with Giants.

You see, B the Wizard had lived with me for 4 months at the end of 2014 and beginning of 2015; when he was still known as MC Mega. Ital or “Jynxx” was always a presence in old stories of Urban Poets Crew that Mega had constantly shared with me. I had thought that the UPC era had preceded the Black Cloud era which preceded the era we were currently in (confused yet?) but subsequent interviews with Jynxx  corrected the record that Jynxx started Black Cloud Music almost right after he began making music and the Urban Poets Crew work was largely contemporaneous with Black Cloud.

One thing appearing to link all of these admittedly recent eras together was the production of Ital Santos. Days after this encounter, my friend and collaborator Ras Josh reminded me of shows and beat battles we’d seen “Jynxx” at as far back as 2008. I’d been hearing his name, but this sit down session with Swift and Os of G.I.A.N.T.S. was my first real exposure to the musical stylings of one of the IE’s most consistent creators. 

My only complaint about his solo outings is the same thing that makes their lyrics so fascinating: we are joining the story after much has happened and as the audience is left to put pieces together. Unlike newer listeners like myself, Ital is not interested in litigating the past as much as he is in building his future.

His new record, Leifs is a triumphant evolution and statement of survival from someone who has been pivotal in the last decade’s several sub-eras of Inland Empire hip-hop. His production as melodic, banging and inspired as ever, his raps are cool, detached, laid back and conversational. The artist formerly known as Jynxx bluntedly and bluntly tells us where his values, priorities and artistic curiosities lie in the current day.
   

Upon a relatively thorough examination of his work, the theme of rising from the ashes of life’s struggle, phoenix-like pops up again and again. His double disc album Transition is probably his magnum opus at this point though he has a plenty healthy discography, only a bit of which is discussed in this piece. The Supremo EP he created in the wake of Noa James and Curtiss King’s departure from Black Cloud Music is an interesting piece of history for Inland Empire hip-hop nerds as he copes with the new landscape of his company and talks about life over previously released DJ Premier beats. As a buff of the scene myself, I cite it as the best work I have yet to hear by KastOne, whose personality and attitude-filled hooks and raps helped Ital shape something new, raw and interesting out of what could have just been a remix EP.


On Transition, Ital shows his production and performative versatility, showcases pillars of the Inland music community and does some fun experiments with vocal samples and telling stories of his life with songs like “Black Pen” and “That Day” in which normal days take a turn for the unexpected. True stories, Santos says.

On my favorite song on Leifs, “Snakes”, Ital and guest MC D’zyl 5K1 spit on the snakes in their lives but never despair. Santos’ attitude towards life’s setbacks is always defiant.

Another highlight is “Keep Quiet” with particularly standout verses from Notiz Yong and Jig. The song drips with the idea that in the I.E. you must earn your right to raise your voice high- an honest reflection of how brutal it can be here and many active hip-hop communities.

“October” with Yung Miss, Ric Rahk and Edgar Sosa is a brilliant concept about how October in California’s Inland Empire has a lot in common with the rest of the nation’s summer months. The funky light production gives Miss, Rahk and especially Edgar Sosa lots of space to flex their quirky and clever styles and raps.  

“I Pray” shows more of Santos’ constant struggle to not let the negativity of life stop him. The music to this track and ones like it is 2pac-ish in its religious deference and hints of mysticism. The honest simplicity of his struggle is admirable and relatable as a persona guiding you through albums. The rest of the album showcases his continued freshness as a hip-hop producer and more of his clever stories such as a multiple song trip from Fontana to Mexico and back.

Leifs as in the turning of a new? As in burning some? The meanings are many says Santos. The name reminds me of Transition in its desire for change and to showcase the artist as renewed and vigorous despite the troubles life throws our way. I find Ital’s music relatable in its IE tribulations, shout outs to family and desire for loyalty and consistency out of life. I relate to the funk and the smart deployment of his compatriots. To go through his discography is to hear the evolution of many of the region’s brightest stars from Dirty Birdy to Westside Bugg, Noa James, Curtiss King, Notiz Yong, Mando the DJ and more.

Ital Santos stays chasing these dreams of funk, fun, friendship and family. In the time since the album was released and this review’s completion he’s completed countless collabs and commissions, a beat tape and an album with longtime collaborator Slick C. He’s still a staple of several circles of IE hip-hop and can be found rocking a beat set in the area often. He will always seek to prove his doubters wrong and to continue to build his Black Cloud in the I.E. and beyond.

Update: Ital Santos has generously provided Joose Boxx and its readers with free download links to the works discussed in this piece:

Transition: https://www.mediafire.com/download/0kjbq12yj7i7t3d

Supremo: https://www.mediafire.com/download/s7dx4017dsf6vp1

Leifs: https://www.mediafire.com/download/uizbkh5k9fypkhg

 Tristan “Tanjint Wiggy” Acker is a staff writer for JooseBoxx, youth hip-hop writing instructor with CHORDS Enrichment Youth Program (chordseyp.org) and member of the Inland Empire nerdcore hip-hop group the West Coast Avengers. Catch more of their work at westcoastavengers.com, follow Tristan on Twitter @Tanjint or e-mail him at tristanacker@gmail.com.